Foreword
by Robert Bateman
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Roger Tory Peterson was born in Jamestown, New York, on August
28, 1908. The bird artist in him began in 1919 in the seventh grade.
He relates the story: "Miss Hornbeck gave each of us a small
watercolor box and a Louis Agassiz Fuertes color plate from the
portfolio Birds of New York. I was given the
blue jay to copy. When our efforts were finished they were put on
the blackboard . . . but my blue jay was credited to Edith Soule,
the girl who sat across the aisle. I was upset and made it plain
that it was mine." That same spring he saw a Yellow-shafted
Flicker, exhausted from its migration, like a lump of brown
feathers. He poked it. "I saw the red patch on the head and
those wild eyes in the moment before it flew away. The contrast
between what I thought was dead and what was very much alive made an
enormous impression on me. It was like a resurrection that touched
one so deeply that ever since then birds seem to me to be the most
vivid expression of life." The eloquence of that last sentence
sums up the artist, the naturalist, the thinker, and the
communicator. All of these qualities seemed to be part of him all of
the time.
In 1922, he bought his first camera (a Primo No. 9 4 x
5" plate camera) and his first binocular (four-power opera
glasses). The following year he began his first bird list, which
grew to almost 5,000 during his lifetime. At the age of 17, he went
to work at the Union Furniture Factory in Jamestown, to decorate
Chinese lacquer cabinets. From 1927 to 1928, he studied drawing at
the Art Students League in New York City. His drawing and painting
studies continued at the National Academy of Design from 1929 to
1931.
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